Image courtesy of Chocolate Geek

This question was prompted by a book I’m reading, novel in a year, by Louise Doughty. The book is divided up into weeks, and every other week has an exercise. One of the early exercises is to sum up why you want to be a novelist, in one sentence. One sentence – that’s tricky.

The Love of it

I spent some time trying to think of some deep purpose to my ambition; something original, that might sound wise or insightful. But I kept coming back to the fact that I really like reading novels. I’ve always liked them. As far back as I can remember, I have enjoyed getting lost in another world. Novels are long enough to do that, and I find them much more absorbing than any other medium.

And what I enjoy, I want to emulate. Or, if not emulate (although there have been many authors I admire, I only want to sound like myself when I write), at least make my own version thereof.

My Readers Need Me!

No, I cannot pretend that I have some altruistic desire to share the pleasure I get from reading – to impart the same with my own work. In part, that would seem rather arrogant of me, I think. It’s not that I don’t believe that there are people out there that would enjoy my work, but I do not assume that the world is clamouring for a novel by Matt Roberts. And I don’t see it as my duty that I write for these people; that it would be a selfish tragedy to deny them such works of genius!

Apart from that, I do not require readers to want to write a novel. Without anyone to read it, I would likely still write it anyway.

Climbing the Mountain

The challenge might be another part of it, though. It’s a long old process, especially for those of us who can only write in small snatches. But I imagine a day when my novel is finally completed, and know that the relief and pride that come from such an accomplishment will be worth it. That is one of the things that spurs me on. Without relishing the challenge, I believe I would be consigned to writing quarter-finished pieces, constantly starting on the next project, but never finishing.

So, why do I want to be a novelist, in one sentence?
I want to become a novelist, because I love novels, and relish the feeling of satisfaction I’ll have when I finally complete my own.

Perhaps not amazingly profound, but true, and motivation enough. Have you ever taken the time to consider why you want to be a novelist, poet, shirt story writer, script writer etc.? I’d love to read your reasons!

I’ve now had a look at each one of those sites to see if I like them, and have subscribed to a fair few. Guess what

Nooo! Its happening again! I know what you’re thinking -what’s Matt going to do? How does he know which ones to read? Surely he can’t read through all of them? Oh the humanity!

I know. Tense, isn’t it.

Don’t worry (as if), I have a plan! It’s something I heard on the Boagworld podcast and seems guaranteed to boost my blog subscription reading productivity (and other mouth-watering keywords)! In fact, my boss is using it to organise his subscriptions to business and marketing blogs (I’m currently subscribing to business, marketing, writing, science and videogame blogs, just so you know).

The trick is folders

A revelation, huh. Okay, not really. I had folders before of course, but I used to organise by subject. Now though, I organise in such a way that the ones I am most interested in get read first. This is lifted pretty much wholesale from the Paul Boag method, but here are the folders I’m trying:

Must read. My absolute favourites, that I just can’t miss out on, and where I will always go first.

Frequent posters. I like these posts too, but there are just too many of them! Still, once the count for Must Read hits 0, I can sift through these to find interesting entries. By the way, as I was adding to Google Reader, I saw that some bloggers post as frequently as 9 times a week! I mean, it’s just not happening, is it? What’re they trying to do to me?

Not too bothered. Let’s be honest, I am probably never going to read these, but they may very well be good if I am researching a particular topic and want some reliable sources to search through. Other than that, they’re not really on my radar.

Finishing touches

Now here’s the bit that makes it all work – my trusty iPod! The regular reader’s wifi enabled dream device (or at least, until the iPad takes off)! Want to read what you’ve subscribed to on the train; while you’re walking (watch out for that curb); while your other half has some godawful trash *cough*dancingonice*cough* on telly? There’s an app for that.

In fact, there are probably around fifty, but the one I use is MobileRSS, because it’s free, and I can save the money to buy games *cough*timewastersthatdistractmefrommywriting*cough*.

And what about ones I want to keep? Well, I also have an account with a handy dandy thing called Instapaper, which will strip my favourite articles of clutter, and allows me to store them in topic-based folders (because I’ve already read them, you see).

In addition, I can also save any individual article I happen to come across when browsing the web. And guess what, there’s an app for Instapaper too. And you can save to Instapaper directly from MobileRSS. Brilliant!

As I said, Paul Boag goes into great detail about these methods, to so you may want to check out the full article.

But there’s still the sticky problem of reading through 100+ blogs and deciding which folder they go in, so that’s enough rambling from me. I’ve got reading to do.

Well, here’s the thing, and I know I’m probably preaching to the converted here, but you should want to be influenced! You should expose yourself to as many voices as possible in the hope that it will help your own voice mature; you should want to be inspired by other writers’ ideas (this doesn’t mean you have to rip them off, as suggested by the comment above).

Reading others’ writing can teach us so much. Here’s a quick (and by no means exhaustive) list of things to look out for when reading:

• Structure (of whole story, of chapter, of paragraph)
• Pace
• Characterisation (how is a character put across?)
• How does the theme come across?
• Use of description (when and how much)

Okay, that really wasn’t exhaustive, but it’s the main things that I think about at the moment when I’m reading a novel (currently reading Red Mars by Kim Stanley Robinson by the way, which is amazing).

The single most important thing for me though (and feel free to disagree. That’s what commenting is for!) is you should learn what you like. What sections did you enjoy most? Why was that? Was it because of a particularly witty bit of wordplay, because it made you laugh, it got your blood pumping, you just got introduced to a new favourite character, you were intrigued, you had a plot epiphany… on and on and on. Read widely, and you can build quite an impressive list of things you like, and even better, these valuable lessons will start to infiltrate your own writing almost automatically.

You want proof? Well, I’m sorry, but I can’t give you anything rock solid. The best I can come up with is that I have observed that those people who are in the habit if reading, are more comfortable with the act of writing. I myself feel that I am a much better writer due to my enjoyment of books since childhood.

I know. Not exactly an exhaustive study under scientific conditions, is it. But it makes intuitive sense that those who read will learn something about writing from it, especially if that’s where your focus lies.

There are other reasons to read a lot, which I will probably cover in another post. In the mean time, if you would like to discuss it in more detail, the comments section beckons!

The blog

First though, a quick look at the blog itself. Let’s say that number again – 51 blog entries! That’s one a week since we started (well, almost – I had a week off last week. Okay, I’m sorry. I’m a bad person). Now I know that in the grand scheme of blogs, that’s no great achievement, but it was for me! Of course I had some help, and you can see my thankyous in my Christmas message (I feel like the Queen), but I’m genuinely proud of that achievement. And it does seem to have been helping. I have at least done some writing this year, and the posts I write have at times been a great tool for reviewing what I have learnt.

It has not been as successful as I would have liked however. Of course, that is my fault. I know the days of, “build it and they will come”, have long since passed, but in truth I have hardly done anything to promote this site. Again, that is largely to do with time (isn’t everything?) but I will just have to build it into my routine. So, that will form the basis for my goals on the blog.

The writing

Way back in May, I wrote about measuring improvement in writing. I have been gathering these stats ever since, so I now have a good half a year of figures to pour over.

Looking at it overall, I can see that I hit my productivity peak during September. This was when I was approaching the end of a story I was working on. However, after that it drops right down. I started a new piece of work then, and I must confess, I have been rather timid with it. This is of course, not the way to behave when approaching a new piece of work. The best way will always be to take the bull by the horns and go for it! Whatever it is I’m afraid of can be fixed later!

I have been rather down on myself about how much writing I have done this year. I have always had the impression that I was not trying hard enough, and not knuckling down. I was right – there is a huge difference between my best week and my average week. This shows the difference between the potential of my current routine, and the reality of not sticking to it. Still, it is encouraging to know how much writing can be done, even in short bursts. When I total up each month, then the year, it is shocking how much can be achieved. I said that I wanted to see how small improvements can accumulate into big gains when I set up this method of measuring, and I can certainly see that!

I wasn’t writing in 2008, that’s the thing. So, as much as I rightly berate myself for not doing more, I am doing a hell of a lot more than nothing! This in itself is an achievement, but before I pat myself on the back too much (let’s not get carried away now), I have also taken a look at how my best week would look over a whole year. What a difference! I took my best week, multiplied that by 52, and was amazed. I knew that my best week was over double my average (meaning I’m not even reaching half the potential that my routine offers me), bit it is still an eye-opener to see the full number there.

Once again, I must recommend keeping some kind of stats on your writing. If you are doing everything electronically anyway, getting a word count is normally a snap, and it only takes a couple of minutes to add that to a spreadsheet. Seeing the effect of small changes to my habits over time is a real inspiration. And being able to extrapolate from that gives further motivation. If you’re not trying it already, I urge you to give it a go.

I would very much like to hear from anyone who has been measuring their writing over the past year and what hey think of the results. Or if this is part of your new year resolution, please let me know, too. And I would really really like to know if you visited getmewriting last year and found it helpful. All feedback in the coments section below, please.

…About Running is, I feel, an absolute must read for aspiring writers. The book itself is a journey through Murakami’s training for the New York marathon, and as the title suggests, it’s partly about how you train yourself to run long distance. However, the parallel’s he draws between training to be a runner and training to be a writer are highly appropriate.

Because this is what I feel I need to do. Of course, some people just have the talent to write, and can do so easily. But as Murakami notes, there is a difference between natural talent and developing the skill. You need not have a vast amount of talent to write as long as you develop the necessary skills. You can train yourself to focus, to concentrate, and to build your endurance. In essence, it’s a lot about what this site is about. I myself feel I have some degree of talent when it comes to – not necessarily writing per se – but in generating interesting material. Of course, its fine being able to generate the material, but it’s pointless if I can’t get it down on paper (or more rather, in my hard drive)

This is where the training comes in. Dedicating a set period of time each day to writing, to focusing solely on the act of getting things written down is essential. Especially for longer works. Writing a longer fiction is a lot like running a marathon. It can take months, perhaps a year to get through a complete draft, and when you look at it in terms of that, it can be daunting, a lot like a runner standing at the starting line and looking to the finish 26 miles away. How can I do this?

It’s all about the training.

I won’t even pretend that I can explain it as well as this book does, but a few major points I took away from what I’ve read thus far concern techniques that Murakami utilises, that were also utilised by Hemmingway and Raymond Chandler.

Firstly is dedicating the time to writing, sitting down at your desk (or in your private writing space) and focusing. Even if you don’t write anything, just dedicating the time, building up your stamina and concentration for writing will serve you well, especially for those longer projects.

And secondly, once you’ve developed this focus and concentration, and you do write, and then always leave your writing at a place where you feel you can continue on. In other words, stop writing before you run out of steam. That way, the next day, when you set out to write, you’ll be itching to continue where you left off; you’ll develop a flow and a rhythm to your writing which will make it much easier.

As someone who used to train extensively at the gym, and get into a set routine which improved my fitness, built my energy and shed the surplus weight, I can’t believe that I never thought of writing in the same way before. I guess it was an unconscious thing, I just wrote, and did so daily, or if not daily, then at least once every few days, but I managed to get through it. But like my training at the gym, my writing regimen slipped, so it feels tough for me to get through a few pages, just like I can slide off a treadmill sweating and panting, because I’ve let it all slip.

Anyway, I highly recommend this book; I can honestly say it has inspired me to concentrate more on my writing…

If I can find the time…

How do I do it? Well, part of it is, as I said before, reading a lot, which is good for inspiration. A lot of the time I can be reading a book and I’ll be hit by many ideas. This does NOT mean I rip them off! Some ideas I will add to some current piece of work, which may take it in some new direction, or I may formulate a new story. It doesn’t matter about the genre, or the form (though I’ve never been a particularly good poet), but I’ll store it in the background there. Or I’ll note them down. Noting things down is also an excellent idea. It may seem obvious, but if you keep a dedicated notebook for ideas, then you can leave things in there for months, and upon returning to your hastily scribbled notes, trying to decipher what you originally meant can lead to yet more ideas!

Of course the best way of generating ideas is immersing yourself in media. Read lots, listen to a lot of music, watch movies, watch TV (though stay away from soap opera’s and “reality”), just allow your brain to absorb everything you see hear, feel, smell, taste…

And don’t be afraid of writing, well, crap! Among the many half baked ideas I’ve had along the way I have a story about a guy who can move through mirrors, something about this cultist church floating on the ocean, and a story about a massive department store that you can never leave, mainly due to the ‘light bombs’ that surround the exits.

None of it is any good, but moving through the daft stuff will lead you down paths to the good stuff. So yes, write away, write anything you think of, and out of the tangle will come ideas you would never have thought of just trying to think of ideas. Read, watch, absorb, plunder and plagiarise.

But if anyone steals my mirror man idea, expect lawsuits…

When you sit down to do some research, your intention can be very different. You know the kind of thing you are looking for and it’s a matter of digging out the relevant information. If you’re like me (and many other people these days), your first port of call is the internet. The wealth of information is so huge, and so varied.

But, as I’m sure you know, it’s a double-edged sword. You are bound to find what you are looking for, but how much tripe must you wade through first? I have a few trusted sites that I have used in the past and know to contain good information. But I don’t keep these in a list. And it is a real pain to go from one to another of these trusted sites in turn.

What I need is something like a Google search, but only for those sites that I know and trust.

Well, an RSS aggregator can be that tool. I use Google Reader. Although you can use it as something to spark inspiration, that relies on you regularly checking it and reading the articles you’ve collected. The trouble is I now have quite a few website delivering information to Google Reader for me, and I simply don’t have the time to wade through it all (Google Reader has given up counting and just says 1000+).

But I do keep it as a bank of trusted information I can go to when I want to do some research. It’s simply a matter of typing what I’m looking for into Google reader’s search, just like you would with a normal web search. Google Reader will go through all the articles I’ve automatically collected and pull out the ones it thinks are most relevant. Plus I can filter it by folder (I have a load of blogs in a “science” folder for example). Job done.

The Dip

The dip itself is the moment where your hard work stops giving you rewards. Any venture, says Seth, begins with a period of enthusiasm that rewards your efforts. Learning something new is the simplest example. Soon though, this honeymoon period wears off, praise from your peers peters out, and your efforts seem to go unnoticed. Sound familiar? This is the dip.

The good news is though, that getting through this period leads to great success and benefits. The rewards far out way those you started out experiencing. This is because getting through the dip on the big issues in your life makes you a rarity, and makes you valuable.

By way of illustration, let’s look at J. K Rowling. She is the perfect example of someone who struggled through a dip that lasted years while she created her world and tried to convince someone that others would want to read her stories about a boy wizard. Now look at her. In this case, getting through the dip, and not quitting, led to huge rewards.

The other side of the coin is that quitting is actually allowed, and required. Sure, our example author didn’t quit writing Harry Potter, but she quit an awful lot of other things in order to do it. Seth Godin’s book advocates strategic quitting in order to become the best in the world at something. After all, you can’t be the best in the world at everything.

What use is it?

So, with the nutshell description and example out of the way, how does it actually read? Well, it’s short. But even that doesn’t save it from waffle. The basic concept takes barely a page to explain, after all. After that there is some useful, practical advice about half-way through, and again at the end, but in between it’s a bit woolly. The problem is there’s very little structure, so the middle of the book feels like a series of flash cards, held up in no particular order. Seth seesaws between advocating quitting and sticking, rather than take them in turn. This makes it hard to pick out words of wisdom.

Where it is useful is as a consciousness raiser. He rightly points out that you know these things already, but by making sure that you recognise dips (and potential cul-de-sacs and cliffs), you can learn to react appropriately and with intent.
For example, after reading, you’ll realise
- the dip won’t last forever
- the dip is malleable, and working harder might get you through it quicker
- the rewards will be waiting
- if you’re in a Dip, you are likely on the right track
- working through the dip is actually the shortcut you’ve been looking for

More importantly, you’re more likely to recognise these things whilst in the dip, encouraging you not to quit, or before you start a new writing project if you realise you are not going to see it through. And if you’re not sure, the book is short enough that you can pick it up and give it a good read every now and then to keep you aware of what you are facing and why it is worth it.

And dips are everywhere in writing (and in life I guess). There is likely a dip in each project you do (writing a novel seems like a slog after your enthusiasm for the idea wears off); there is a dip in getting published, or in getting enough copies out there if you’re self-publishing; there is even a dip in just getting a writing routine going.

My experience of The Dip

I had my good writing experiences in primary school, and then later in secondary school. In primary school my stories always took longer than anyone else’s because I loved writing them. In secondary school I rediscovered my talent for it as a young adult, enjoying writing and getting praise for it from teachers.

But, I never got into the habit of writing, and the moments of inspiration, where I felt I had got something right, became fewer as I progressed through university. From then on, any time I started to have a go at writing, I was already starting in The Dip.

So, you can say that when I started this blog, I was already sold on the dip concept. That is the reason I started writing this in the first place – as a means to chip away at the dip of simply getting myself to write regularly. At the time though, I hadn’t read the book and would not have put it that way. Still, like my other recent attempts to motivate myself, this serves to reinforce my reasoning and attack the problem with renewed gusto. For that, I have to recommend it.

I’d like to know how many other writers have read this book. What did you think? Was it useful? Any other books in a similar vein that you can recommend?

A lecturer at uni once put it to me that the actual act of writing, of fashioning something creative with words, was done after some words have actually been put to the page. I’d like to add something to that as well – the part that comes before you write an actual paragraph.

To clarify, the bit before is the note-taking; the bit after is the editing.

Notes

Note-taking is really free and empowering. Try it – take a pen and piece of paper and scribble down some sentences or single words that begin to outline what you want to write about. As long as you don’t fall into the trap of spending too much time on each point and fleshing it out, you should find that the ideas flow quite freely.

And it feels creative, largely because it is so quick, and ideas are allowed to come thick and fast – not like the drudgery of churning out pages of text. And this is of course where a lot of the background to your story, as well as character profiles and important plot points might emerge.

And once you’ve done enough planning, you might feel you are ready to start ‘writing’. But the argument here is that you shouldn’t think of it as writing. You shouldn’t expect to have the finished article ready first time through, and very likely you know that. So don’t feel guilty if all you do is churn something out that follows your notes. Don’t worry if it’s rubbish. After all, that’s what editing’s for!

Editing

And here’s the last creative bit. You’ve got your raw material, and now you can start shaping it. This bit feels limp and lifeless, so jazz it up; the dialogue in this section doesn’t distinguish between each of the characters enough; do I even need this paragraph?

Reshuffling bits, redoing sentences, cutting (and more cutting) is actually a far more creative experience than simply putting words on a page. Thinking of editing as the important, creative part of the work that will get you your masterpiece means you are less afraid of that blank page.

Or that’s the theory anyway. It’s certainly an approach that I’m going to try and apply in my work, but I don’t think I’m quite there yet. It’s quite a shift in attitude and will take some training.

Time for a clumsy metaphor…

Okay, think of it this way. You’re a sculptor, and you’ve been commissioned to create a masterpeice.

First you prospect, looking for your subject, getting the pose right in your head, and looking for the material you’re going to use. That’s your note-taking.

Then comes the drudging, back-breaking work of digging out that piece of marble you’re going to use and dragging it back to your studio, or whatever. that’s your pen-to-paper stuff.

Then you get to chip away at your marble, and before your eyes carve your masterpiece from the unsightly block. Editing.

Okay, so it’s not the most poetic of metaphors, but you get the picture.

What do you think? What stage of the writing process do you find the most creative?

Now, I should say before I start proper that my experience of collaborative writing is a little limited, and restricted specifically to a “make-it-up-as-you-go” format. But that can be fascinating, of course, and I would recommend giving it a go at least once.

So, here’s the deal with this approach. Two or three people (the latter in my case), take it in turns to write a section of the story (it might be a page, a chapter, or something less well defined. In our case, it was what you might call a “scene”). One person starts, and sends their section on to the next person, who adds to this and passes the whole lot on, and so on (and yes, one of those people was Dave).

The immediately interesting and liberating thing about this approach is the massive unknowns that are inherent in the process. You do not have to have the slightest idea where a story is going to begin with, and feel no responsibility that the seeds living in the details of your work have to sprout later in the piece. It’s impossible to guess what the next person will write anyway.

This freedom will either mean a lot less, or more worry about the writing process, depending on how self-conscious you are. Personally I get some reassurance from knowing that the other people in the group are experiencing the same worries, and it makes that much easier to just start writing.

Another fantastic thing about this is that you are automatically provided with new inspiration with which to continue the story. Every time it comes round to your turn there are more new details and unexpected twists for you to pursue or ignore. It is constantly fascinating to see how others interpret little hints you leave, or pick up and develop what you thought were throw-away details. Of course, it can be just as annoying when someone completely ignores what you thought was a carefully laid out set up.

It may not be just inspiration to carry on the story either. Imagine that somewhere along the process, you come up with a brilliant scenario to occur later in the story, or maybe an entire plot. Now it may be that that never unfolds, but there’s nothing stopping you from using those ideas elsewhere.

And sometimes it’s just fun to do something with someone else for a change. Writing can often be a lonely experience, and working with someone can get you used to a few things you should be trying to do anyway. One of these is sharing your work. Some writers are a bit precious about what they’re working on, but it can be a real help to share it with a few people and get some feedback. Of course, this process is automatic when collaborating, and provides a more comfortable atmosphere with which to do it, as all sides are exchanging work.

Finally, it’s a writing experience, and as such should be embraced if you get the chance. It’s a fun challenge and can develop your writing skills in interesting ways. But, there are some downsides of course, and with time limited, you may also want to consider if you should spend that time on your own writing. Read my post next week on some of the pitfalls of collaborative writing.

What have you got out of collaborating with someone else?