Exactly the kind of fans that writers don't get. Image courtesy of Michael Dornbierer.

Now, I don’t want to brag, but due to some of the work I’ve done in the past I’ve had the chance to meet (and even work with) several people of varying degrees of fame. I’ll admit, sometimes I’m kinda cool and laconic about it, other times I get all girly and squealy and have to stop myself from saying something along the lines of ‘Oh my god! You’re *insert name of celebrity here*!’ and start gushing. Hey, it’s a curse. But meeting Michael Marshall was something different.

Book Readings

Now then, I’m sure anyone who is interested in reading (and writing for that matter) has been to a book event, or a signing, or some such like, and had the opportunity to listen to authors reading from their latest opus. At my local Waterstones, it seems like they have some local writer in every month doing book signings. But what differentiated my experience for me was that the two readings I went to, both lasted an hour, and it involved a significant question and answer session.

And it is not just a thrill but an inspiration to be able to ask questions, and indeed discuss, elements of the writing process with a writer who you admire, whose work you enjoy, and whom you may even emulate. It is probably a good thing I’ve never been to a Neal Asher reading, since I no doubt would just steal his idea’s outright.

Other side of the Fence

For me personally, it was a significant experience. I write in the same genre as Marshall (sort of) so it was very informative to hear him talk about the publishing process for him. Things I’d never even thought of. Breaking into the American market for example. Getting one of his books optioned for a film treatment, and the difficult endless process that is involved in getting a book from page to screen (Yes, we’re all still waiting for that Spares movie.)

But it also allowed me the chance to explore his own creative process (which I was surprised to discover was really close to my own. And a million other writers, I imagine) and how he edits and develops ideas. I’ll admit, I took notes. It was just that little boost that helped push me forward into that difficult third act I was writing at the time, and helped me to get my first book finished (the first draft anyway).

So yes, if you’re having problems, or your confidence is starting to wane, then I would recommend (if you have the opportunity of course) to go to a book reading, because I found it hugely inspirational.

I also got my copies of every one of his books personally signed. *cue girlish squealing*

Now, this is not to take anything away from the other authors and their advice, but the original list by Elmore Leonard really is a cracker, so if you only read one, then read that one (the article opens with it). Some of the other authors gave a few quick answers, and some answers are more lighthearted. That’s not to say you shouldn’t read them, of course; I really recommend you do. And don’t forget part two, either.

I’ve read the lot and there are some really insightful comments in there, plus a few that crop up more than once. I’ve decided to pick out my favourites and create a top ten for myself. I haven’t credited each author, simply to avoid cluttering the list, and again I must stress that you should read the whole article in full.

Top ten tips and rules for writers by published authors

1. Write. Sounds ridiculous, but it’s true; just get the hell on with it.
2. Editing is everything. Cut, cut, cut. And if it sounds like writing, rewrite it; style is the art of getting yourself out of the way, not putting yourself in it.
3. Finish the day’s writing when you still want to continue, or are in mid-flow, even mid-sentence. That way you can jump right in the next day.
4. Read. Widely.
5. Never use a verb other than “said” to carry dialogue, and never use an adverb to modify the verb “said”. If the reader can’t tell how something was said, rewrite your dialogue instead.
6. Read it aloud to yourself – especially dialogue. Rhythm is important, and if it’s difficult to read out loud, it might be difficult to read full-stop.
7. Give it to someone else to read. These should be a trusted few, as also advised by Stephen King.
8. Do it every day. Don’t wait for inspiration, write anyway. By the way, although this sounds like the best idea ever, I don’t do it. But at the very least you should establish a routine.
9. Put “finished” drafts aside for a while.
10. Be without fear. Or know that you are afraid, but barge through it to the other side.

These are my favourites, you may feel differently. Let me know your favourites from the article, plus any other tips you’ve heard authors give, in the comments below. You can also give your own tips if you like.