Now, this is not to take anything away from the other authors and their advice, but the original list by Elmore Leonard really is a cracker, so if you only read one, then read that one (the article opens with it). Some of the other authors gave a few quick answers, and some answers are more lighthearted. That’s not to say you shouldn’t read them, of course; I really recommend you do. And don’t forget part two, either.

I’ve read the lot and there are some really insightful comments in there, plus a few that crop up more than once. I’ve decided to pick out my favourites and create a top ten for myself. I haven’t credited each author, simply to avoid cluttering the list, and again I must stress that you should read the whole article in full.

Top ten tips and rules for writers by published authors

1. Write. Sounds ridiculous, but it’s true; just get the hell on with it.
2. Editing is everything. Cut, cut, cut. And if it sounds like writing, rewrite it; style is the art of getting yourself out of the way, not putting yourself in it.
3. Finish the day’s writing when you still want to continue, or are in mid-flow, even mid-sentence. That way you can jump right in the next day.
4. Read. Widely.
5. Never use a verb other than “said” to carry dialogue, and never use an adverb to modify the verb “said”. If the reader can’t tell how something was said, rewrite your dialogue instead.
6. Read it aloud to yourself – especially dialogue. Rhythm is important, and if it’s difficult to read out loud, it might be difficult to read full-stop.
7. Give it to someone else to read. These should be a trusted few, as also advised by Stephen King.
8. Do it every day. Don’t wait for inspiration, write anyway. By the way, although this sounds like the best idea ever, I don’t do it. But at the very least you should establish a routine.
9. Put “finished” drafts aside for a while.
10. Be without fear. Or know that you are afraid, but barge through it to the other side.

These are my favourites, you may feel differently. Let me know your favourites from the article, plus any other tips you’ve heard authors give, in the comments below. You can also give your own tips if you like.

OK, well now that that advice has been readily ignored, allow me to explain.

I was idly going through my files recently, and made the horrific mistake of looking at some old projects. And when I say this, I don’t mean some half written notes or random ideas, I mean I was looking at two projects which I have dedicated a hell of a lot of time to. Not just in terms of physically writing, but also into ‘thought time’, creating ideas, plotting out storylines, dialogue, character depth and so on. One was an idea about a TV show I had, and the other was another book.

Lets leave the TV show for now, and focus more on the book, because this is something I dedicated more time to. Now the idea I had concerned a lot of smaller stories, taken from a particular person’s point of view, that all interwove and overlapped. Due to the nature of the backstory I’d built up, I could – in theory – write this project for the rest of my life.

Unfortunately, I revisited it, didn’t I?

And I was appalled. This writing was terrible. Simply terrible. The characters were two dimensional (hell, not even that), the storyline had no cohesion, the dialogue was risible and then I got to the bit I’d almost forgotten about. The horrifically written lesbian sex scene. Jeez, am I not over that already? I actually found myself ashamed to have written this.

But before this turns into a major moaning session, lets turn to how this can help you write. OK, so revisiting old work can be demoralizing. But it can also be very helpful.  This is what I found when I read this piece.  I think more than anything it was just how clumsy it was. Obviously, since it had a lesbian sex scene in it. Any writing that falls back on that is doomed.

But after my initial shock, and despair, and strong desire to never write anything ever again, I looked at the situation pragmatically. ‘OK, so this writing sucks. How do we make it better?’

It can be a very useful writing exercise. Keeping a few of those old projects floating around just to remind you of how much your writing has progressed. Because my main project – my book – has undergone the same kind of evolution. I have, in the past, looked at sections of that and thought how bad they were, but I pushed through and improved them. This is what you can do with the older, less developed work.  I should probably also add that this ‘older work’ isn’t from when I was a teenager either, but from only four years ago. That’s right, this is probably my newest idea, and yet it doesn’t stand up.

But there I am back to the moaning again. How to use this? It’s all in the editing. A piece of writing may be clumsy, it may have few merits, but its all part of the process, isn’t it? As painful as it might be, all of us – as writers – face that point where we may need to scrap large sections of work – maybe even whole projects. I know I’ve had to do it in my book. I had to scrap a three chapter section, which I quite liked, due mainly to the fact that it no longer fit and made the whole thing too long. So I applied the same logic to this ‘old’ idea. Let’s get serious now. I had to ask myself these very important questions:

1. What is the overall aim and purpose of this piece?
2. How does it fit into the larger structure? Is the overall structure working?
3. Is there a definite aim? Am I  procrastinating too much?

This last one is probably the most important one of all. As I’ve said in previous posts, I don’t mind a story that takes its time, as long as its interesting to read, but there is a massive difference between building up to a solid momentum and simply procrastinating for the hell of it.

So what did I tell myself? I have to get on point and stay there. Cut the superfluous characters, the pointless tensions which add nothing to it, solidify the setting, do some research and for god’s sake, get rid of the lesbian sex scene!

Yes, in order to grow as a writer, you do sometimes need to look back at where you’ve come from, in order to drive you forward to where you’re going to.

What’s so good about it? Well, it’s extremely dense, for one thing. That doesn’t sound like a pleasant read, but every page is chock full of science, social commentary and insightful character actions and thoughts. In this the density does not become a slog but the reason to continue. It’s engaging and there’s something to learn on every page.

Now, when I read a good book, it’s often an inspiring thing. Many is the Stephen King or Chuck Palanuik book that’s been finished with one thought echoing round in my head, “I want to write”! But Red Mars is one novel where the mountain looks too steep. I think of just the science alone, and I cringe at the hours, days, weeks that must have been involved to get that level of detail. Then there’s the social and political commentary. While the events that take place are easy enough to dream up, it’s the detail (again) of the characters’ comments, beliefs and ideals that intimidate. Not forgetting that the book spans some thirty odd years in the lives of completely believable characters. And this is the first book in a trilogy!

Now, I do realise that this is quite a bit of whingy hand-wringing on my part. In truth (and even though it’s been quite a while since a book has affected me like this), I shrugged it off fairly quickly. There will always be someone better than you (much, much better probably. No offence), but that doesn’t mean there isn’t a place for you and that you should give up. I’m saying “you” but I am of course referring to myself, too.

I guess I can keep it as an example of something to aspire to, even if I think I’ll never get there. An even better take home message, is that our writing is different, and should stay that way. I should not be intimidated (or even inspired) to alter my writing style in worship of another writer. I shall continue with my writing and let my style grow, not in isolation, but in its own way.

We could get a really terrifying list of books here, but let’s embrace that! What books have intimidated you, and why?

I’ve now had a look at each one of those sites to see if I like them, and have subscribed to a fair few. Guess what

Nooo! Its happening again! I know what you’re thinking -what’s Matt going to do? How does he know which ones to read? Surely he can’t read through all of them? Oh the humanity!

I know. Tense, isn’t it.

Don’t worry (as if), I have a plan! It’s something I heard on the Boagworld podcast and seems guaranteed to boost my blog subscription reading productivity (and other mouth-watering keywords)! In fact, my boss is using it to organise his subscriptions to business and marketing blogs (I’m currently subscribing to business, marketing, writing, science and videogame blogs, just so you know).

The trick is folders

A revelation, huh. Okay, not really. I had folders before of course, but I used to organise by subject. Now though, I organise in such a way that the ones I am most interested in get read first. This is lifted pretty much wholesale from the Paul Boag method, but here are the folders I’m trying:

Must read. My absolute favourites, that I just can’t miss out on, and where I will always go first.

Frequent posters. I like these posts too, but there are just too many of them! Still, once the count for Must Read hits 0, I can sift through these to find interesting entries. By the way, as I was adding to Google Reader, I saw that some bloggers post as frequently as 9 times a week! I mean, it’s just not happening, is it? What’re they trying to do to me?

Not too bothered. Let’s be honest, I am probably never going to read these, but they may very well be good if I am researching a particular topic and want some reliable sources to search through. Other than that, they’re not really on my radar.

Finishing touches

Now here’s the bit that makes it all work – my trusty iPod! The regular reader’s wifi enabled dream device (or at least, until the iPad takes off)! Want to read what you’ve subscribed to on the train; while you’re walking (watch out for that curb); while your other half has some godawful trash *cough*dancingonice*cough* on telly? There’s an app for that.

In fact, there are probably around fifty, but the one I use is MobileRSS, because it’s free, and I can save the money to buy games *cough*timewastersthatdistractmefrommywriting*cough*.

And what about ones I want to keep? Well, I also have an account with a handy dandy thing called Instapaper, which will strip my favourite articles of clutter, and allows me to store them in topic-based folders (because I’ve already read them, you see).

In addition, I can also save any individual article I happen to come across when browsing the web. And guess what, there’s an app for Instapaper too. And you can save to Instapaper directly from MobileRSS. Brilliant!

As I said, Paul Boag goes into great detail about these methods, to so you may want to check out the full article.

But there’s still the sticky problem of reading through 100+ blogs and deciding which folder they go in, so that’s enough rambling from me. I’ve got reading to do.

So, I have a potential problem here. But should I be bothered about the fact that I currently have no ending? My Mind argues with itself thus:

Yes! If you don’t know your ending, what are you going to work towards?
An interesting point. Presumably I’m going to want to foreshadow my ending with hints about how the story will be resolved. I will have to make sure my characters have all the right tools, and that everyone is at the right place at the right time.

No! That’s what other drafts are for! Besides, you want to give yourself enough freedom to make the story end naturally.
I see. Over the course of writing my story, I will likely form a more coherent set of characters. What I’ve planned for them in the end might not fit with the story and people that have evolved as part of the process. Then I’ll be shoehorning an ill-fitting climax to the finish of my story!

Yes! What if you get to the end and you still can’t think if an ending?
Oh, I didn’t think of that. I don’t want to stall at the last hurdle, do I.

No! But how long are you going to wait? And in the meantime, what, you don’t start writing?
Well yes, I have to start some time. Although not writing it at all has a certain appeal. It certainly seems easier…

Yes! No! What!?
You’re right. Forget I said anything.

Or something like that anyway.

So, one failed experiment later, I am in slightly more comfortable territory, and am looking at ways to plan out my novel. One site I have found especially useful (I have pretty much decided to base my plan on the advice there) is Larry Brooks storyfix.com, and especially his ten part story structure series. What I now want to do, is get an outline of each of the four boxes he describes and what happens within them in my story.

Now, to be clear, none of what Larry says here is rocket science. Nor is it even new or unfamiliar. This structure is recognisable in most novels I’ve read and certainly in any good film I’ve seen (they are shorter, and so it’s much easier to see the structure). But having it all written down and elaborated on by someone who knows is really useful, and I’m sure it’s going to save me a good deal of head scratching.

Can you plan too much?

Yes. I really believe you can. And spoil the enjoyment of writing your story in the process. How much is too much? Ah, now there I cannot help. I have a strong feeling this will be down to the individual. My rule of thumb at the moment is to pay attention, and if it feels right to write, or if I know that any more planning is just procrastination, then I’m done.

Another couple of points I’m keeping in mind, just to keep things loose are:

Keep the details sparse

I think I’ll keep a separate document for working things out. This is because I tend to think my way through problems best by writing through them. This tends to create a lot of disorganised detail about various parts of the story, which is great, but not something I want cluttering up my outline, and probably something I don’t want to look at too often once the ideas have solidified.

Instead I will keep my outline clean by giving each major scene or part of the story a title, just to remind me what goes in it. I probably won’t go as far as naming every single scene, but the important ones will certainly get this treatment. Filling in the gaps can be done (to a certain, as yet undetermined extent) later.

Feel free to change it

The problem with writing down a plan (and probably a big reason for so called “organic” writers hating them), is that it makes things feel permanent. This does not have to be the case of course. I will keep my plan open at all times when writing so that I can change it on the fly should I think of another scene that can go in. I will also plan regular reviews if my plan so that I can change it in light of something I have written, and to check that I still like where it’s going.

So that’s the plan for the plan. I will of course, let you know how I get on. In the mean time I’d love to know your thoughts on planning and what methods you use. Please use the comments section below.

Well, here’s the thing, and I know I’m probably preaching to the converted here, but you should want to be influenced! You should expose yourself to as many voices as possible in the hope that it will help your own voice mature; you should want to be inspired by other writers’ ideas (this doesn’t mean you have to rip them off, as suggested by the comment above).

Reading others’ writing can teach us so much. Here’s a quick (and by no means exhaustive) list of things to look out for when reading:

• Structure (of whole story, of chapter, of paragraph)
• Pace
• Characterisation (how is a character put across?)
• How does the theme come across?
• Use of description (when and how much)

Okay, that really wasn’t exhaustive, but it’s the main things that I think about at the moment when I’m reading a novel (currently reading Red Mars by Kim Stanley Robinson by the way, which is amazing).

The single most important thing for me though (and feel free to disagree. That’s what commenting is for!) is you should learn what you like. What sections did you enjoy most? Why was that? Was it because of a particularly witty bit of wordplay, because it made you laugh, it got your blood pumping, you just got introduced to a new favourite character, you were intrigued, you had a plot epiphany… on and on and on. Read widely, and you can build quite an impressive list of things you like, and even better, these valuable lessons will start to infiltrate your own writing almost automatically.

You want proof? Well, I’m sorry, but I can’t give you anything rock solid. The best I can come up with is that I have observed that those people who are in the habit if reading, are more comfortable with the act of writing. I myself feel that I am a much better writer due to my enjoyment of books since childhood.

I know. Not exactly an exhaustive study under scientific conditions, is it. But it makes intuitive sense that those who read will learn something about writing from it, especially if that’s where your focus lies.

There are other reasons to read a lot, which I will probably cover in another post. In the mean time, if you would like to discuss it in more detail, the comments section beckons!

1. Before you start – pick your reviewers carefully

For a start, you don’t want too much feedback, so I think it’s a good idea to limit your number of critics to 5 well thought out selections. Be careful, and honest with yourself about your choice. You want people who:

• will be honest with you and not just say nice things
• Can communicate what they think about your writing
• Read often

You might also want people who are familiar with the genre you are writing in, but that might depend on what your aims are for the piece.

2. Don’t argue.

There will be a temptation to defend your writing when receiving criticism. This is fair enough, but as soon as you start arguing your case, you’ve closed the doors. Instead, force yourself to be quiet when receiving criticism. Don’t reply, other than to thank them (this includes replying in writing). Not arguing forces you to carefully consider what has been said. That does not mean you have to agree. As long as you have taken it in, if you still don’t agree, that’s fine.

3. Weigh up the responses.

You have to decide how much a particular criticism is worth and whether you will take it on. Again, be honest; it can be very easy to find reasons to dismiss all criticism. But if you’ve selected your critics carefully it’s almost certainly not the best option.

Having said that, there may be perfectly good reasons to give greater weight to some people’s comments over others. One person, unfamiliar with the genre, could find one passage confusing, whereas an aficionado in that genre might sail through it without comment or give it particular praise. Now, depending on how accessible you want the piece to be, you could change it to suit one person or the other.

Also, numbers make a difference. A comment that comes up more than once within a group of five people, certainly warrants your attention.

4. Let them know what you expect.

If you are after something specific, tell them. If you want them to just give general comments, tell them that. Give them the list of tips for giving feedback from this website if you like especially if they are not used to giving feedback.

Making sure they know what you are expecting adds value to the comments you get. Otherwise you risk getting something back that you can’t use.

5. Remember, it’s your writing.

You can’t please all the people all the time. There will come a time (numerous times, in fact) when, having considered the comments made against your writing, you simply can’t change it. You just don’t agree with the point being made. And anyway, you know that later in the story, this and this will happen, clearing up the confusion in that exchange and explaining just why the banana ended up there in the first place.

So, you make an executive decision, and you don’t change it. Or you change it in another way entirely. The point is, never relinquish control. This is your piece, and in the end, it’s down to you, and not them.

That’s your lot! I hope that is of some use. But if not, let me know what tips you would give. I welcome any feedback in the comments. Come on, I can take it

The blog

First though, a quick look at the blog itself. Let’s say that number again – 51 blog entries! That’s one a week since we started (well, almost – I had a week off last week. Okay, I’m sorry. I’m a bad person). Now I know that in the grand scheme of blogs, that’s no great achievement, but it was for me! Of course I had some help, and you can see my thankyous in my Christmas message (I feel like the Queen), but I’m genuinely proud of that achievement. And it does seem to have been helping. I have at least done some writing this year, and the posts I write have at times been a great tool for reviewing what I have learnt.

It has not been as successful as I would have liked however. Of course, that is my fault. I know the days of, “build it and they will come”, have long since passed, but in truth I have hardly done anything to promote this site. Again, that is largely to do with time (isn’t everything?) but I will just have to build it into my routine. So, that will form the basis for my goals on the blog.

The writing

Way back in May, I wrote about measuring improvement in writing. I have been gathering these stats ever since, so I now have a good half a year of figures to pour over.

Looking at it overall, I can see that I hit my productivity peak during September. This was when I was approaching the end of a story I was working on. However, after that it drops right down. I started a new piece of work then, and I must confess, I have been rather timid with it. This is of course, not the way to behave when approaching a new piece of work. The best way will always be to take the bull by the horns and go for it! Whatever it is I’m afraid of can be fixed later!

I have been rather down on myself about how much writing I have done this year. I have always had the impression that I was not trying hard enough, and not knuckling down. I was right – there is a huge difference between my best week and my average week. This shows the difference between the potential of my current routine, and the reality of not sticking to it. Still, it is encouraging to know how much writing can be done, even in short bursts. When I total up each month, then the year, it is shocking how much can be achieved. I said that I wanted to see how small improvements can accumulate into big gains when I set up this method of measuring, and I can certainly see that!

I wasn’t writing in 2008, that’s the thing. So, as much as I rightly berate myself for not doing more, I am doing a hell of a lot more than nothing! This in itself is an achievement, but before I pat myself on the back too much (let’s not get carried away now), I have also taken a look at how my best week would look over a whole year. What a difference! I took my best week, multiplied that by 52, and was amazed. I knew that my best week was over double my average (meaning I’m not even reaching half the potential that my routine offers me), bit it is still an eye-opener to see the full number there.

Once again, I must recommend keeping some kind of stats on your writing. If you are doing everything electronically anyway, getting a word count is normally a snap, and it only takes a couple of minutes to add that to a spreadsheet. Seeing the effect of small changes to my habits over time is a real inspiration. And being able to extrapolate from that gives further motivation. If you’re not trying it already, I urge you to give it a go.

I would very much like to hear from anyone who has been measuring their writing over the past year and what hey think of the results. Or if this is part of your new year resolution, please let me know, too. And I would really really like to know if you visited getmewriting last year and found it helpful. All feedback in the coments section below, please.

With that in mind, this is not a writing post, but a thank you to everyone who has visited the site, and an even bigger thank you to those who have returned! I do hope you have found it useful. Stick around – there is a lot more to come!

A big thank you too to David and Craig, who have contributed posts this year – I enjoyed them all!

I will return in January with some kind of year review, and a fair few new year’s resolutions. I hope you will join me, but in the mean time if you have any comments about the site, please post them below, and of course…

Happy Christmas and a Merry New Year!